![]() ![]() The Gold Note streamer also plays without gaps when fed via Audirvana in UPNP mode. Once activated inside the mConnect app, gapless playback works as advertised with Tidal, Qobuz, from a NAS storage device and from a USB thumb drive directly inserted into the DS-10’s rear. Screen brightness settings are 100%, 50%, 25% and OFF. A decent remote wand duplicates most operations and volume readout is clear across a room (other parameters less so – not a problem most times). It’s a similar setup to the IS-1000 (review here) and keeps the fascia tidy. Hands-on control comes via a small 58x45mm TFT display and a single rotary that handles everything – volume, source selection, fixed/variable output, Chameleon settings and display brightness. Those slits are chamfered now – no more sliced fingers. Design-wise, it’s clearly a Gold Note, the trademark slashed cooling vents along the top and sides adding a touch of style. ![]() It’s a looker too its width-to-height ratio works well visually.īlack, gold or silver finishes are available and everything feels well put together. The headphone output can be switched between 1W and 5W to match the sensitivity of the inserted ‘phones.įinally, a quick mention of the matching PA-10 power amp (not reviewed): same chassis size, 75W into 8Ω, 300W/8Ω when bridged into mono, variable damping, yours for £1170 / $1700 / €1400. Heaven for fine-tuners, hell for set and forgetters. Together that’s 192 possible combinations. Six digital filters aren’t unusual these days but four levels of de-emphasis most certainly are, as is varying the amount of current fed to the DAC (eight settings). The DS-10’s Chameleon feature is unique – THREE ways in which to season the sound via the fascia controls. A forthcoming firmware update will let Roon handle DSD. PCM 24bit/192kHz is the limit elsewhere, apart from the network and USB-A inputs that handle DSD64. The DAC circuit is built around an AKM AK4493 chip handling up to 32bit/384kHz PCM and DSD512 on the USB-B input (PC) only. Finally, two short aerials poke out above the DS-10’s rear wall for WiFi and Bluetooth reception. However, the input for the DS-10’s forthcoming external power supply is proprietary, thus ruling out third party options. Analogue outputs are RCA and balanced XLR. The Voice: Frank Sinatra, the Columbia Years (1943–1952)Īll-Time Greatest Dorsey/Sinatra Hits, Vol.Hard-wired connections include a USB-A port (UPnP flash drive host), USB-B (for PC/Mac), AES/EBU, coaxial and two Toslink inputs. Portrait of Sinatra - Forty Songs from the Life of a Man The Sinatra Family Wish You a Merry ChristmasĪ Man Alone: The Words and Music of McKuenįrank Sinatra with the Red Norvo Quintet: Live in Australia, 1959 Sinatra Sings Days of Wine and Roses, Moon River, and Other Academy Award Winnersįrancis Albert Sinatra & Antonio Carlos Jobim Sinatra Sings Great Songs from Great Britain Sinatra worked under his Reprise label until the late 90s until he signed back onto Capitol to perform his final studio recordings, Duets and Duets II.įrank Sinatra Conducts Tone Poems of Colorįrank Sinatra Conducts Music from Pictures and Plays Sinatra began working with many new arrangers as well as the former Capitol arrangers during his time under Reprise new arrangers include Neil Hefti, Don Costa, and Quincy Jones. Sinatra founded Reprise Records in 1960, and released his first LP for the label, Ring-a-Ding-Ding! in 1961. Arrangers such as Nelson Riddle, Billy May, and Gordon Jenkins began to work with Sinatra during this time, and worked him well into his later years as a singer. Most critics view Sinatra's Capitol years as his best, releasing not only some of his finest recordings, but also working with his greatest arrangements. Sinatra's primary arranger for the Columbia Years was Axel Stordahl, and the two made only a few albums together.įrom 1952 through 1962, Sinatra worked with Capitol Records, working with several new arrangers and producers on many albums. Few albums were recorded under Columbia, and most of Sinatra's recordings were eithe through radio programs during his early career, or released through singles. Frank Sinatra's career with Columbia Records lasted through 1938 through 1952. ![]()
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